Split sheet
One page that settles who wrote what.
- One-page agreement, ready to sign
- Online signatures from every writer
- A copy for each writer
- Registration with a rights organization
Reading a deal
One flat fee per job, quoted in writing before you pay. If your deal doesn't fit one of these, I will tell you the fee after a fifteen-minute call, and that call is free.
One page that settles who wrote what.
Fee, usage, exclusivity and payment, marked up in pink.
Recording, producer, publishing, book or distribution deals.
Fees are quoted in writing before you pay. Work beyond what a plan lists gets its own written quote first. Government filing fees are separate and passed through at cost.
Building the business
Releases and a rights checklist for a film or series.
An LLC for your income, with an operating agreement.
A search and an application in one class for your name or handle.
The trademark office examines every application and decides for itself, so no registration is promised. Filing fees are set by the office.
I tell you before I do the extra work, in writing, with a new number. You choose whether to go ahead. The fee never changes without your yes.
Half when you hire me and half when I send the markup, unless we agree otherwise in the quote. Filing fees go straight to the office, not through me.
No. You pay the quoted fee and nothing more. I don't take a cut of an advance, a royalty or a sponsor's payment.
I mark up the agreement and send it to you. You pass it to the other side, they answer, and I review their reply once. Further rounds are quoted separately.
Tell me what you have in front of you. On a short video call I will say which fee fits, or give you a number for something new.